COLLISIONcollective

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*                        For engineers that moonlight as artists and artists that moonlight as engineers                                         *
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Everything is Made of Atoms

computer, flatscreen monitor, Kinect, lights, custom software
2013
Everything is Made of Atoms

Everything is Made of Atoms is an interactive new media installation that explores the entangled and ever-changing relationship between the body and technology. It draws on previous works created by artists such as Simon Penny's Traces (1999). The piece draws parallels between participants and their digitally-mediated images, expressing both as a whole and at the same time as a flow of constituent parts, the lifetimes of which, as philosopher Karen Barad (2003) argues, is not an attribute but the ongoing reconfigurings of the world.

Everything is Made of Atoms has two major software components: methods to access the stream of image, depth, and skeleton data from the Microsoft Kinect sensor, and routines to perform a high-performance computation of three-dimensional vortex dynamics. These methods are connected by an extensible framework of the artists own design.

LumaTouch Synesthesia

wood, Plexiglas, fluorescent lights, computer with custom software, webcam, video projector, headphones, speakers
2010
Artwork by [user-name]

LumaTouch Synesthesia is an interactive system for creating abstract artwork with electronic music by manipulating tangible objects. The system consists of a light table with five movable objects on the surface, four small cubes and a small cylinder. By manipulating these objects, the user can simultaneously create an abstract painting and compose electronic music to complement the painting. The phenomenon of synesthesia is experienced literally in the creation of color and sound.
The location and rotation of the four cubes are detected by a webcam in the light table. The custom software uses these inputs to choose up to eight of 16 reference images to be morphed and combined for the painting and up to eight of 16 music loops to be mixed for the song. The cylinder is used to change the color of the images and the musical key of the song.
While a viewer is interacting with the piece, it will show the digital painting projected on the wall behind the light table, and play music at a moderate volume level in the room. Headphones are also available to allow the operator to listen more closely. The user can retrieve his/her painting by sliding the “ROBGON” gadget to the center of the light table. The image will be uploaded to www.RobGon.com and instructions for retrieval will appear on the screen.
LumaTouch uses OpenFrameworks, an open-source C++ library for creative coding. The tracking used by LumaTouch is based on the concepts from TrackMate, an open-source tracking system. The reference paintings are from the Smithsonian Institute Website, www.si.edu, and are used in accordance with the Smithsonian's terms of use. Some of the music loops are original and some are from looperman.com and are used in accordance with their terms of use. I would like to thank Jennifer Lim for her help with this project.

weightloss

Metal, electronics, lights
2009
Installation view at AXIOM

Prototype of a 2 person interactive sculpture. 2 people must provide physical and mechanical input to a sculpture. When the 2 people work together, they speed up the piece to a point where strobe lighting turns on and provides a "magic" moment.

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